{"id":438,"date":"2022-12-24T18:19:51","date_gmt":"2022-10-15T08:08:39","guid":{"rendered":"https:\/\/whynotkollektiv.com\/neu\/pauli-nafer-2\/"},"modified":"2025-10-11T20:20:24","modified_gmt":"2025-10-11T18:20:24","slug":"pauli-nafer-2","status":"publish","type":"post","link":"https:\/\/whynotkollektiv.com\/?p=438&lang=en","title":{"rendered":"Pauli Nafer"},"content":{"rendered":"\n<p>Willkommen bei WordPress. Dies ist dein erster Beitrag. Bearbeite oder l\u00f6sche ihn und beginne mit dem Schreiben!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Willkommen bei WordPress. Dies ist dein erster Beitrag. Bearbeite oder l\u00f6sche ihn und beginne mit dem Schreiben!<\/p>\n","protected":false},"author":2,"featured_media":194,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[63],"tags":[],"class_list":["post-438","post","type-post","status-publish","has-post-thumbnail","hentry","category-artists"],"lang":"en","translations":{"en":438,"de":164},"grid":"{\r\n  \"colCount\": 30,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    0,\r\n    5,\r\n    4,\r\n    4,\r\n    5,\r\n    5,\r\n    5,\r\n    4,\r\n    4,\r\n    4\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"leftFrameMargin\": 2,\r\n  \"rightFrameMargin\": 2,\r\n  \"topFrameMargin\": 0,\r\n  \"bottomFrameMargin\": 4,\r\n  \"rowAttrs\": [\r\n    {\r\n      \"bgimage\": {\r\n        \"attid\": 167,\r\n        \"url\": \"\/wp-content\/uploads\/2022\/10\/pauli-blue.png\",\r\n        \"sizes\": {\r\n          \"_1280\": {\r\n            \"w\": 1280,\r\n            \"h\": 665,\r\n            \"url\": \"\/wp-content\/uploads\/2022\/10\/pauli-blue-1280x665.png\"\r\n          },\r\n          \"_1024\": {\r\n            \"w\": 1024,\r\n            \"h\": 532,\r\n            \"url\": \"\/wp-content\/uploads\/2022\/10\/pauli-blue-1024x532.png\"\r\n          },\r\n          \"_768\": {\r\n            \"w\": 768,\r\n            \"h\": 399,\r\n            \"url\": \"\/wp-content\/uploads\/2022\/10\/pauli-blue-768x399.png\"\r\n          },\r\n          \"_512\": {\r\n            \"w\": 512,\r\n            \"h\": 266,\r\n            \"url\": \"\/wp-content\/uploads\/2022\/10\/pauli-blue-512x266.png\"\r\n          },\r\n          \"_265\": {\r\n            \"w\": 265,\r\n            \"h\": 138,\r\n            \"url\": \"\/wp-content\/uploads\/2022\/10\/pauli-blue-265x138.png\"\r\n          }\r\n        }\r\n      },\r\n      \"row100vh\": true,\r\n      \"rowcustomheight\": \"\",\r\n      \"relid\": 20\r\n    },\r\n    {\r\n      \"rowcustomheight\": \"\",\r\n      \"relid\": 22\r\n    },\r\n    {\r\n      \"relid\": 28\r\n    },\r\n    {\r\n      \"relid\": 29\r\n    },\r\n    {\r\n      \"relid\": 30\r\n    },\r\n    {\r\n      \"relid\": 31\r\n    },\r\n    {\r\n      \"relid\": 36\r\n    },\r\n    {\r\n      \"relid\": 37\r\n    },\r\n    {\r\n      \"relid\": 38\r\n    },\r\n    {\r\n      \"relid\": 39\r\n    },\r\n    {\r\n      \"relid\": 40\r\n    }\r\n  ],\r\n  \"bgColor\": \"#f8ccb9\",\r\n  \"bgImage\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_WhyNotFont\\\" style=\\\"text-align: center;\\\"><span style=\\\"color: #ffffff;\\\">Pauli Nafer<\/span><\/h1>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 30,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 41,\r\n      \"absolute_position\": true,\r\n      \"frameOverflow\": \"left\"\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"middle\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 30,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 16,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"both\"\r\n    },\r\n    {\r\n      \"type\": \"vl\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 3,\r\n      \"colspan\": 0,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 11,\r\n      \"absolute_position\": true,\r\n      \"placeAtEndOfCol\": true\r\n    },\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Fliesstext\\\"><span class=\\\"_Names\\\">Pauli Nafer<\/span><span style=\\\"font-weight: 400;\\\">\u00a0is an in-disciplined artist living and working in NRW. She takes part in dance, theatre and film productions, as well as art actions, collective writings, and transnational interventions, sometimes as a dancer\/performer\/choreographer, sometimes as an actress, singer, dramaturg, curator, and so on, and so on. <\/span><\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 20,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 13,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Fliesstext\\\"><span style=\\\"font-weight: 400;\\\">She staged her first choreography at the Sala Isidora Zegers Facultad de Artes of the Universidad de Chile while still in high school. Before and during her undergraduate studies in contemporary dance, which she completed in 2011, she already worked intensively as a freelance artist for numerous dance companies, theatre collectives, performance groups and musical ensembles.<\/span><\/p>\",\r\n          \"align\": \"bottom\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 20,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 26,\r\n          \"absolute_position\": false\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 5,\r\n      \"colspan\": 20,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 5,\r\n      \"relid\": 18,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"vl\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 26,\r\n      \"colspan\": 0,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 26,\r\n      \"relid\": 12,\r\n      \"absolute_position\": true,\r\n      \"placeAtEndOfCol\": false\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"onethird\",\r\n      \"row\": 3,\r\n      \"col\": 4,\r\n      \"colspan\": 22,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 4,\r\n      \"relid\": 15,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"vl\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 3,\r\n      \"colspan\": 0,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 5,\r\n      \"absolute_position\": true,\r\n      \"placeAtEndOfCol\": true\r\n    },\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Fliesstext\\\"><span style=\\\"font-weight: 400;\\\">She studied German modern dance at the Centro Espiral of the Universidad Academia Humanismo Cristiano, as well as postmodern dance techniques and compositional approaches at Universidad de las Am\u00e9ricas with Carmen Beuchat. She later deepened her knowledge of choreography, dramaturgy, art history, theatre criticism and reception through numerous anti-institutional and semi-institutional programs. Her artistic research relates to political and sensible dimensions of dance spaces and dance communities, as well as pure mediality in art production, antiacademic philosophising, and radical decolonial practices. <\/span><\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 20,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 4,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Fliesstext\\\"><span style=\\\"font-weight: 400;\\\">She has collaborated with countless collectives such as <\/span><span style=\\\"font-weight: 400;\\\">\u00a0\u201eCompa\u00f1\u00eda Tentempi\u00e9\u201c \u201eCompa\u00f1\u00eda Circo Teatro Norte\u201c, \u201eNervenZellen\u201c,\u00a0 \u201eART.62\u201c, \u201eDintje Dance\u201c, \u201eEn Degrad\u00e9 Colectivo\u201c, \u201ebailamerica DANZA\u201c, \u201eColectivo UNO1\u201c, \u201eProyecto Ekeka\u201c, \u201eKollektiv Plakativ\u201c, \u201esowas in der art\u201c, \u201eplataforma BASTARDA\u201c, and \u201e[mostly] harmless\u201c<\/span><span style=\\\"font-weight: 400;\\\">, and many others.<\/span><\/p>\",\r\n          \"align\": \"bottom\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 20,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 33,\r\n          \"absolute_position\": false\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 5,\r\n      \"colspan\": 20,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 5,\r\n      \"relid\": 17,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"vl\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 26,\r\n      \"colspan\": 0,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 26,\r\n      \"relid\": 6,\r\n      \"absolute_position\": true,\r\n      \"placeAtEndOfCol\": false\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"onethird\",\r\n      \"row\": 5,\r\n      \"col\": 4,\r\n      \"colspan\": 22,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 4,\r\n      \"relid\": 27,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"vl\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 3,\r\n      \"colspan\": 0,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 9,\r\n      \"absolute_position\": true,\r\n      \"placeAtEndOfCol\": true\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Subtitle\\\"><span style=\\\"font-weight: 400;\\\">Her dance solos, art and film interventions and collective performances include: <\/span><span style=\\\"font-weight: 400;\\\">\u201eNachf\u00fchllen\u201c, \u201e\u00a71 Die Paragraphin\u201c (2022), \u201eStone Sampling Session #1\u201c, \u201eGesammelte Ablehnungen 2005-2021\u201c, \u201eEin Lebensbescheid\u201c (2021), \u201eTrabajo para todxs - Medida 36\u201c (2020), \u201eBiom\u00e9trica\u201c (2018), \u201ezwischendurch serie I-III\u201c (2017), \u201eIch bin die Luft\u201c (2015), \u201eLa noche boca arriba\u201c (2015), und \u201eIngo Tanz\u201c (2015)<\/span><span style=\\\"font-weight: 400;\\\">.<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 5,\r\n      \"colspan\": 20,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 5,\r\n      \"relid\": 8,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"vl\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 26,\r\n      \"colspan\": 0,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 26,\r\n      \"relid\": 10,\r\n      \"absolute_position\": true,\r\n      \"placeAtEndOfCol\": false\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 7,\r\n      \"col\": 4,\r\n      \"colspan\": 22,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 4,\r\n      \"relid\": 7,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"vl\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 8,\r\n      \"col\": 3,\r\n      \"colspan\": 0,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 101,\r\n      \"absolute_position\": true,\r\n      \"placeAtEndOfCol\": true\r\n    },\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Fliesstext\\\"><span style=\\\"font-weight: 400;\\\">In 2022, she was curator of the digital dance installation \\\"VELAR T\u00e4nze trauern\\\", as well as co-curator of the discourse format \u201cZeit und Arbeit\u201d for the JUBIL\u00c4UM: 10 Jahre Szenische Forschung. Since July 2022, she is also co-director of Internationale Bibliothek Ruhr, a mobile art installation that stages literatures, oral traditions, and forms of knowledge from Latin America and the Middle East in the Ruhr region.<\/span><\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 20,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 19,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Fliesstext\\\"><span style=\\\"font-weight: 400;\\\">Pauli Nafer does not speak Spanish, but Chilean Castilian, one of the slower variants of Castilian Abya Yala or Latin American, whose main feature, unlike the oral traditions of Spain, Peru or Mexico, is that it takes longer to express the core of an idea. Pauli flaunts this slow tempo in impatient regions with great pleasure.<\/span><\/p>\",\r\n          \"align\": \"bottom\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 20,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 35,\r\n          \"absolute_position\": false\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 8,\r\n      \"col\": 5,\r\n      \"colspan\": 20,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 5,\r\n      \"relid\": 34,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"vl\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 8,\r\n      \"col\": 26,\r\n      \"colspan\": 0,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 26,\r\n      \"relid\": 102,\r\n      \"absolute_position\": true,\r\n      \"placeAtEndOfCol\": false\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"onethird\",\r\n      \"row\": 9,\r\n      \"col\": 4,\r\n      \"colspan\": 22,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 4,\r\n      \"relid\": 21,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"vl\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 10,\r\n      \"col\": 3,\r\n      \"colspan\": 0,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 23,\r\n      \"absolute_position\": true,\r\n      \"placeAtEndOfCol\": true\r\n    },\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Subtitle\\\"><span style=\\\"font-weight: 400;\\\">On a significant day in 2022, Pauli Nafer began a flourishing collaboration with WHY NOT? KOLLEKTIV for an indefinite period.<\/span><\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 20,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 32,\r\n          \"absolute_position\": false\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 10,\r\n      \"col\": 5,\r\n      \"colspan\": 20,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 5,\r\n      \"relid\": 25,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"vl\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 10,\r\n      \"col\": 26,\r\n      \"colspan\": 0,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 26,\r\n      \"relid\": 24,\r\n      \"absolute_position\": true\r\n    }\r\n  ]\r\n}","phonegrid":"{\r\n  \"colCount\": 30,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    \"0\",\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"leftFrameMargin\": 4,\r\n  \"rightFrameMargin\": 5,\r\n  \"topFrameMargin\": 0,\r\n  \"bottomFrameMargin\": 7,\r\n  \"rowAttrs\": [\r\n    {\r\n      \"bgimage\": {\r\n        \"attid\": 167,\r\n        \"url\": \"\/wp-content\/uploads\/2022\/10\/pauli-blue.png\",\r\n        \"sizes\": {\r\n          \"_1280\": {\r\n            \"w\": 1280,\r\n            \"h\": 665,\r\n            \"url\": \"\/wp-content\/uploads\/2022\/10\/pauli-blue-1280x665.png\"\r\n          },\r\n          \"_1024\": {\r\n            \"w\": 1024,\r\n            \"h\": 532,\r\n            \"url\": \"\/wp-content\/uploads\/2022\/10\/pauli-blue-1024x532.png\"\r\n          },\r\n          \"_768\": {\r\n            \"w\": 768,\r\n            \"h\": 399,\r\n            \"url\": \"\/wp-content\/uploads\/2022\/10\/pauli-blue-768x399.png\"\r\n          },\r\n          \"_512\": {\r\n            \"w\": 512,\r\n            \"h\": 266,\r\n            \"url\": \"\/wp-content\/uploads\/2022\/10\/pauli-blue-512x266.png\"\r\n          },\r\n          \"_265\": {\r\n            \"w\": 265,\r\n            \"h\": 138,\r\n            \"url\": \"\/wp-content\/uploads\/2022\/10\/pauli-blue-265x138.png\"\r\n          }\r\n        }\r\n      },\r\n      \"row100vh\": true,\r\n      \"rowcustomheight\": \"\",\r\n      \"relid\": 20\r\n    },\r\n    {\r\n      \"rowcustomheight\": \"\",\r\n      \"relid\": 22\r\n    },\r\n    {\r\n      \"relid\": 28\r\n    },\r\n    {\r\n      \"relid\": 29\r\n    },\r\n    {\r\n      \"relid\": 30\r\n    },\r\n    {\r\n      \"relid\": 31\r\n    },\r\n    {\r\n      \"relid\": 36\r\n    },\r\n    {\r\n      \"relid\": 37\r\n    },\r\n    {\r\n      \"relid\": 38\r\n    },\r\n    {\r\n      \"relid\": 39\r\n    },\r\n    {\r\n      \"relid\": 40\r\n    }\r\n  ],\r\n  \"bgColor\": \"#f8ccb9\",\r\n  \"bgImage\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_WhyNotFont\\\" style=\\\"text-align: center;\\\"><span style=\\\"color: #ffffff;\\\">Pauli Nafer<\/span><\/h1>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 30,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 41,\r\n      \"absolute_position\": true,\r\n      \"frameOverflow\": \"left\"\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"middle\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 30,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 16,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"both\"\r\n    },\r\n    {\r\n      \"type\": \"vl\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 0,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 11,\r\n      \"absolute_position\": true,\r\n      \"placeAtEndOfCol\": false\r\n    },\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Fliesstext\\\"><span class=\\\"_Names\\\">Pauli Nafer<\/span><span style=\\\"font-weight: 400;\\\">\u00a0is an in-disciplined artist living and working in NRW. She takes part in dance, theatre and film productions, as well as art actions, collective writings, and transnational interventions, sometimes as a dancer\/performer\/choreographer, sometimes as an actress, singer, dramaturg, curator, and so on, and so on. <\/span><\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 28,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 13,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Fliesstext\\\"><span style=\\\"font-weight: 400;\\\">She staged her first choreography at the Sala Isidora Zegers Facultad de Artes of the Universidad de Chile while still in high school. Before and during her undergraduate studies in contemporary dance, which she completed in 2011, she already worked intensively as a freelance artist for numerous dance companies, theatre collectives, performance groups and musical ensembles.<\/span><\/p>\",\r\n          \"align\": \"bottom\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 28,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 26,\r\n          \"absolute_position\": false\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 1,\r\n      \"colspan\": 28,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 18,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"vl\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 29,\r\n      \"colspan\": 0,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 29,\r\n      \"relid\": 12,\r\n      \"absolute_position\": true,\r\n      \"placeAtEndOfCol\": true\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"onethird\",\r\n      \"row\": 3,\r\n      \"col\": 1,\r\n      \"colspan\": 28,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 15,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"vl\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 0,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5,\r\n      \"absolute_position\": true,\r\n      \"placeAtEndOfCol\": false\r\n    },\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Fliesstext\\\"><span style=\\\"font-weight: 400;\\\">She studied German modern dance at the Centro Espiral of the Universidad Academia Humanismo Cristiano, as well as postmodern dance techniques and compositional approaches at Universidad de las Am\u00e9ricas with Carmen Beuchat. She later deepened her knowledge of choreography, dramaturgy, art history, theatre criticism and reception through numerous anti-institutional and semi-institutional programs. Her artistic research relates to political and sensible dimensions of dance spaces and dance communities, as well as pure mediality in art production, antiacademic philosophising, and radical decolonial practices. <\/span><\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 28,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 4,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Fliesstext\\\"><span style=\\\"font-weight: 400;\\\">She has collaborated with countless collectives such as <\/span><span style=\\\"font-weight: 400;\\\">\u00a0\u201eCompa\u00f1\u00eda Tentempi\u00e9\u201c \u201eCompa\u00f1\u00eda Circo Teatro Norte\u201c, \u201eNervenZellen\u201c,\u00a0 \u201eART.62\u201c, \u201eDintje Dance\u201c, \u201eEn Degrad\u00e9 Colectivo\u201c, \u201ebailamerica DANZA\u201c, \u201eColectivo UNO1\u201c, \u201eProyecto Ekeka\u201c, \u201eKollektiv Plakativ\u201c, \u201esowas in der art\u201c, \u201eplataforma BASTARDA\u201c, and \u201e[mostly] harmless\u201c<\/span><span style=\\\"font-weight: 400;\\\">, and many others.<\/span><\/p>\",\r\n          \"align\": \"bottom\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 28,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 33,\r\n          \"absolute_position\": false\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 1,\r\n      \"colspan\": 28,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 17,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"vl\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 29,\r\n      \"colspan\": 0,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 29,\r\n      \"relid\": 6,\r\n      \"absolute_position\": true,\r\n      \"placeAtEndOfCol\": true\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"onethird\",\r\n      \"row\": 5,\r\n      \"col\": 1,\r\n      \"colspan\": 28,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 27,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"vl\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 0,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 9,\r\n      \"absolute_position\": true,\r\n      \"placeAtEndOfCol\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_Subtitle\\\"><span style=\\\"font-weight: 400;\\\">Her dance solos, art and film interventions and collective performances include: <\/span><span style=\\\"font-weight: 400;\\\">\u201eNachf\u00fchllen\u201c, \u201e\u00a71 Die Paragraphin\u201c (2022), \u201eStone Sampling Session #1\u201c, \u201eGesammelte Ablehnungen 2005-2021\u201c, \u201eEin Lebensbescheid\u201c (2021), \u201eTrabajo para todxs - Medida 36\u201c (2020), \u201eBiom\u00e9trica\u201c (2018), \u201ezwischendurch serie I-III\u201c (2017), \u201eIch bin die Luft\u201c (2015), \u201eLa noche boca arriba\u201c (2015), und \u201eIngo Tanz\u201c (2015)<\/span><span style=\\\"font-weight: 400;\\\">.<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 1,\r\n      \"colspan\": 28,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 8,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"vl\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 29,\r\n      \"colspan\": 0,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 29,\r\n      \"relid\": 10,\r\n      \"absolute_position\": true,\r\n      \"placeAtEndOfCol\": true\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 7,\r\n      \"col\": 1,\r\n      \"colspan\": 28,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 7,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"vl\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 8,\r\n      \"col\": 0,\r\n      \"colspan\": 0,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 101,\r\n      \"absolute_position\": true,\r\n      \"placeAtEndOfCol\": false\r\n    },\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Fliesstext\\\"><span style=\\\"font-weight: 400;\\\">In 2022, she was curator of the digital dance installation \\\"VELAR T\u00e4nze trauern\\\", as well as co-curator of the discourse format \u201cZeit und Arbeit\u201d for the JUBIL\u00c4UM: 10 Jahre Szenische Forschung. Since July 2022, she is also co-director of Internationale Bibliothek Ruhr, a mobile art installation that stages literatures, oral traditions, and forms of knowledge from Latin America and the Middle East in the Ruhr region.<\/span><\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 28,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 19,\r\n          \"absolute_position\": false\r\n        },\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Fliesstext\\\"><span style=\\\"font-weight: 400;\\\">Pauli Nafer does not speak Spanish, but Chilean Castilian, one of the slower variants of Castilian Abya Yala or Latin American, whose main feature, unlike the oral traditions of Spain, Peru or Mexico, is that it takes longer to express the core of an idea. Pauli flaunts this slow tempo in impatient regions with great pleasure.<\/span><\/p>\",\r\n          \"align\": \"bottom\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 28,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 35,\r\n          \"absolute_position\": false\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 8,\r\n      \"col\": 1,\r\n      \"colspan\": 28,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 34,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"vl\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 8,\r\n      \"col\": 29,\r\n      \"colspan\": 0,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 29,\r\n      \"relid\": 102,\r\n      \"absolute_position\": true,\r\n      \"placeAtEndOfCol\": true\r\n    },\r\n    {\r\n      \"type\": \"hr\",\r\n      \"cont\": \"\",\r\n      \"align\": \"onethird\",\r\n      \"row\": 9,\r\n      \"col\": 1,\r\n      \"colspan\": 28,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 21,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"vl\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 10,\r\n      \"col\": 0,\r\n      \"colspan\": 0,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 23,\r\n      \"absolute_position\": true,\r\n      \"placeAtEndOfCol\": false\r\n    },\r\n    {\r\n      \"type\": \"stack\",\r\n      \"cont\": [\r\n        {\r\n          \"type\": \"text\",\r\n          \"cont\": \"<p class=\\\"_Subtitle\\\"><span style=\\\"font-weight: 400;\\\">On a significant day in 2022, Pauli Nafer began a flourishing collaboration with WHY NOT? KOLLEKTIV for an indefinite period.<\/span><\/p>\",\r\n          \"align\": \"top\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 28,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 32,\r\n          \"absolute_position\": false\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 10,\r\n      \"col\": 1,\r\n      \"colspan\": 28,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 25,\r\n      \"absolute_position\": false,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"vl\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 10,\r\n      \"col\": 29,\r\n      \"colspan\": 0,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 29,\r\n      \"relid\": 24,\r\n      \"absolute_position\": true,\r\n      \"placeAtEndOfCol\": true\r\n    }\r\n  ]\r\n}","pll_sync_post":[],"_links":{"self":[{"href":"https:\/\/whynotkollektiv.com\/index.php?rest_route=\/wp\/v2\/posts\/438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/whynotkollektiv.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/whynotkollektiv.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/whynotkollektiv.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/whynotkollektiv.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=438"}],"version-history":[{"count":0,"href":"https:\/\/whynotkollektiv.com\/index.php?rest_route=\/wp\/v2\/posts\/438\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/whynotkollektiv.com\/index.php?rest_route=\/wp\/v2\/media\/194"}],"wp:attachment":[{"href":"https:\/\/whynotkollektiv.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=438"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/whynotkollektiv.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=438"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/whynotkollektiv.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}