{"id":716,"date":"2025-08-15T20:04:28","date_gmt":"2025-08-15T18:04:28","guid":{"rendered":"https:\/\/www.whynotreality.com\/orbital-noise-copy\/"},"modified":"2025-10-16T11:37:20","modified_gmt":"2025-10-16T09:37:20","slug":"telepathy","status":"publish","type":"post","link":"https:\/\/whynotkollektiv.com\/?p=716&lang=en","title":{"rendered":"Telepathy"},"content":{"rendered":"\n

Willkommen bei WordPress. Dies ist dein erster Beitrag. Bearbeite oder l\u00f6sche ihn und beginne mit dem Schreiben!<\/p>\n","protected":false},"excerpt":{"rendered":"

Willkommen bei WordPress. Dies ist dein erster Beitrag. Bearbeite oder l\u00f6sche ihn und beginne mit dem Schreiben!<\/p>\n","protected":false},"author":3,"featured_media":732,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[96],"tags":[103],"class_list":["post-716","post","type-post","status-publish","has-post-thumbnail","hentry","category-work","tag-performance-art"],"lang":"en","translations":{"en":716,"de":722},"grid":"{\r\n \"colCount\": 30,\r\n \"colGutter\": 1,\r\n \"rowGutters\": [\r\n 0,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 4,\r\n 5,\r\n 4,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5\r\n ],\r\n \"frameMargin\": 5,\r\n \"leftFrameMargin\": 1,\r\n \"rightFrameMargin\": 1,\r\n \"topFrameMargin\": 0,\r\n \"bottomFrameMargin\": 5,\r\n \"rowAttrs\": [\r\n {\r\n \"bgcolor\": \"#000000\",\r\n \"bgimage\": {\r\n \"attid\": 732,\r\n \"url\": \"\/wp-content\/uploads\/2025\/08\/Bild_Projekt_Telepathie-1.png\",\r\n \"sizes\": {\r\n \"_1280\": {\r\n \"w\": 1280,\r\n \"h\": 720,\r\n \"url\": \"\/wp-content\/uploads\/2025\/08\/Bild_Projekt_Telepathie-1-1280x720.png\"\r\n },\r\n \"_1024\": {\r\n \"w\": 1024,\r\n \"h\": 576,\r\n \"url\": \"\/wp-content\/uploads\/2025\/08\/Bild_Projekt_Telepathie-1-1024x576.png\"\r\n },\r\n \"_768\": {\r\n \"w\": 768,\r\n \"h\": 432,\r\n \"url\": \"\/wp-content\/uploads\/2025\/08\/Bild_Projekt_Telepathie-1-768x432.png\"\r\n },\r\n \"_512\": {\r\n \"w\": 512,\r\n \"h\": 288,\r\n \"url\": \"\/wp-content\/uploads\/2025\/08\/Bild_Projekt_Telepathie-1-512x288.png\"\r\n },\r\n \"_265\": {\r\n \"w\": 265,\r\n \"h\": 149,\r\n \"url\": \"\/wp-content\/uploads\/2025\/08\/Bild_Projekt_Telepathie-1-265x149.png\"\r\n }\r\n }\r\n },\r\n \"row100vh\": true,\r\n \"relid\": 32\r\n },\r\n {\r\n \"relid\": 33\r\n },\r\n {\r\n \"relid\": 34\r\n },\r\n {\r\n \"relid\": 35\r\n },\r\n {\r\n \"relid\": 36\r\n },\r\n {\r\n \"relid\": 37\r\n },\r\n {\r\n \"relid\": 38\r\n },\r\n {\r\n \"relid\": 39\r\n },\r\n {\r\n \"relid\": 40\r\n },\r\n {\r\n \"relid\": 41\r\n },\r\n {\r\n \"relid\": 3\r\n },\r\n {\r\n \"relid\": 27\r\n },\r\n {\r\n \"relid\": 43\r\n },\r\n {\r\n \"relid\": 48\r\n },\r\n {\r\n \"relid\": 64\r\n },\r\n {\r\n \"relid\": 26\r\n },\r\n {\r\n \"relid\": 42\r\n }\r\n ],\r\n \"bgColor\": \"#b06d9f\",\r\n \"bgImage\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Telepathy<\/span><\/h1>\",\r\n \"align\": \"bottom\",\r\n \"row\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"relid\": 45,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n },\r\n \"zIndex\": 22,\r\n \"colspan\": 30,\r\n \"col\": 0,\r\n \"push\": 0,\r\n \"absolute_position\": true\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"onethird\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 30,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 16,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"both\",\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n },\r\n \"zIndex\": 0\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 3,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 3,\r\n \"relid\": 11,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": true,\r\n \"zIndex\": 1\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

TELEPATHY<\/strong><\/span>
Sensually reactivating memories.<\/strong><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 5,\r\n \"colspan\": 9,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 5,\r\n \"relid\": 24,\r\n \"absolute_position\": false,\r\n \"zIndex\": 2,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

\u201cI defend my present against the nothingness of absence.\u201d<\/span>
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After two intensive transmedial research processes in 2022 and 2023 on the de-aestheticization of non-European-coded dance practices, something new opened up for us: A space that liberated movement, sound, and theatricality from the logic of exoticization and commodification.<\/span>
A foundation for what we came to call Telepathy.<\/span><\/p>\\n

From the Ancient Greek \u03c4\u1fc6\u03bb\u03b5 (distance) and \u03c0\u03ac\u03b8\u03bf\u03c2 (experience\/affection), telepathy did not describe a supernatural ability, but a shared, collective sensitivity that allowed memories to circulate between bodies, times, and places.<\/span>
Telepathy is access to circulating knowledge, a silent, powerful current beyond aesthetic grids.<\/span>
Free from permissions.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 6,\r\n \"col\": 5,\r\n \"colspan\": 20,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 5,\r\n \"relid\": 4,\r\n \"absolute_position\": false,\r\n \"zIndex\": 10,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n },\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 6,\r\n \"col\": 26,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 26,\r\n \"relid\": 6,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": false,\r\n \"zIndex\": 11\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"onethird\",\r\n \"row\": 7,\r\n \"col\": 4,\r\n \"colspan\": 22,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 4,\r\n \"relid\": 15,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"zIndex\": 12\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 8,\r\n \"col\": 3,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 3,\r\n \"relid\": 9,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": true,\r\n \"zIndex\": 13\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

A channel of remembrance that connects where movement is halted, bodies are overlooked, stories are erased.<\/span>
It lets us travel where paths are blocked, opens spaces whose archives have long been deleted.<\/span>
Telepathy lets you see what you are not supposed to see.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 8,\r\n \"col\": 5,\r\n \"colspan\": 20,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 5,\r\n \"relid\": 8,\r\n \"absolute_position\": false,\r\n \"zIndex\": 14,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 8,\r\n \"col\": 26,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 26,\r\n \"relid\": 10,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": false,\r\n \"zIndex\": 15\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"onethird\",\r\n \"row\": 9,\r\n \"col\": 4,\r\n \"colspan\": 22,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 4,\r\n \"relid\": 14,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"zIndex\": 16,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n },\r\n \"dosync\": false\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 10,\r\n \"col\": 3,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 3,\r\n \"relid\": 28,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": true,\r\n \"zIndex\": 13,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

The research project, conducted from March 2024 to February 2025, explored movement, media art, sound design, and choreobiography through experimental methods. It activated expressions of revelation and manifestation and confronted, through transmedial narratives, the politics of perception in the\u00a0 German (theatre) space.<\/span>
Inspired by Sufi Tanoura and Dabke, living archives of connectedness, resistance, and collective memory, we dedicated ourselves to the invisible frequencies that connect diasporic bodies:<\/span>
across languages, beyond closed-off spaces.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 10,\r\n \"col\": 5,\r\n \"colspan\": 20,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 5,\r\n \"relid\": 29,\r\n \"absolute_position\": false,\r\n \"zIndex\": 14,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n },\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 10,\r\n \"col\": 26,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 26,\r\n \"relid\": 30,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": false,\r\n \"zIndex\": 15,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 11,\r\n \"col\": 4,\r\n \"colspan\": 22,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 4,\r\n \"relid\": 31,\r\n \"absolute_position\": false,\r\n \"zIndex\": 16,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 12,\r\n \"col\": 3,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 3,\r\n \"relid\": 44,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": true,\r\n \"zIndex\": 13,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

In a year in which much has shifted, visibility, resources, voices \u2013 we are more<\/span>
deeply connected. And we saw who spun, stomped, and endured with us when the ground vibrated, didn\u2019t give way, but carried us.<\/span><\/p>\\n


\u201cBe like a tree and let the dead leaves drop.\u201d<\/strong><\/span>
\u2014 Rumi<\/strong><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 12,\r\n \"col\": 5,\r\n \"colspan\": 20,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 5,\r\n \"relid\": 46,\r\n \"absolute_position\": false,\r\n \"zIndex\": 14,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n },\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 12,\r\n \"col\": 26,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 26,\r\n \"relid\": 47,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": false,\r\n \"zIndex\": 15,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"middle\",\r\n \"row\": 13,\r\n \"col\": 4,\r\n \"colspan\": 22,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 4,\r\n \"relid\": 49,\r\n \"absolute_position\": false,\r\n \"zIndex\": 16,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 14,\r\n \"col\": 3,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 3,\r\n \"relid\": 65,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": true,\r\n \"zIndex\": 13,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Credits<\/strong><\/span><\/p>\\n\\n\\n\\n\\n\\n\\n\\n\\n\\n\\n\\n
Pauli Nafer:<\/strong><\/span><\/td>\\nDancer & Choreographer \/ video concept<\/span><\/td>\\n<\/tr>\\n
Mohamad Tamim:<\/strong><\/span><\/td>\\nDancer & Choreographer<\/span><\/td>\\n<\/tr>\\n
Rojin Sharafi:<\/strong><\/span><\/td>\\nSound Design<\/span><\/td>\\n<\/tr>\\n
Romy Schmidt:<\/strong><\/span><\/td>\\nArtistic Director<\/span><\/td>\\n<\/tr>\\n
Duncan Tafel:<\/strong><\/span><\/td>\\nMedia Art Research & Video Production<\/span><\/td>\\n<\/tr>\\n
Suliman Almogharbel:<\/strong><\/span><\/td>\\nFootage Production \u2013 Film \u201cAl Darwish\u201d<\/span><\/td>\\n<\/tr>\\n
Alexander Huegel (2022\u201324):<\/strong><\/span><\/td>\\nOrbital Noise & Universal Rotation Media Art<\/span><\/td>\\n<\/tr>\\n
Gabs_ Carneiro:<\/strong><\/span><\/td>\\nOutside Eye & Dramaturgy<\/span><\/td>\\n<\/tr>\\n
Adnan Abdalrahman:<\/strong><\/span><\/td>\\nPhotography \/ Website<\/span><\/td>\\n<\/tr>\\n<\/tbody>\\n<\/table>\\n

\u00a0<\/p>\\n

Thanks to \/ Gracias \/<\/strong> \u0634\u0643\u0631\u0627\u064b
<\/strong><\/span><\/p>\\n

Basak \u00dcnal<\/span>
Bashar Shammout<\/span>
Ahmad Shihabi<\/span>
Christine Peters<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 14,\r\n \"col\": 5,\r\n \"colspan\": 21,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 5,\r\n \"relid\": 66,\r\n \"absolute_position\": false,\r\n \"zIndex\": 14,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n },\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 14,\r\n \"col\": 26,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 26,\r\n \"relid\": 67,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": false,\r\n \"zIndex\": 15,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 15,\r\n \"col\": 4,\r\n \"colspan\": 22,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 4,\r\n \"relid\": 63,\r\n \"absolute_position\": false,\r\n \"zIndex\": 16,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 16,\r\n \"col\": 3,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 3,\r\n \"relid\": 19,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": true,\r\n \"zIndex\": 17\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Special thanks to the Kunststiftung NRW<\/strong> for their support, and to Szenische Forschung\/ RUB Bochum<\/strong> for the trust and the shared research space.<\/span><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": 16,\r\n \"col\": 5,\r\n \"colspan\": 15,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 5,\r\n \"relid\": 21,\r\n \"absolute_position\": false,\r\n \"zIndex\": 18,\r\n \"frameOverflow\": \"\",\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2024\/04\/image288201.png\",\r\n \"align\": \"top\",\r\n \"row\": 16,\r\n \"col\": 21,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 1,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 198,\r\n \"attid\": 680,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2024\/04\/image288201.png\"\r\n },\r\n \"w\": 146,\r\n \"h\": 76,\r\n \"ar\": 0.5205479452054794,\r\n \"alt\": \"\",\r\n \"absolute_position\": false,\r\n \"zIndex\": 19,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n },\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 16,\r\n \"col\": 26,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 26,\r\n \"relid\": 20,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": false,\r\n \"zIndex\": 21\r\n }\r\n ]\r\n}","phonegrid":"{\r\n \"colCount\": 30,\r\n \"colGutter\": 1,\r\n \"rowGutters\": [\r\n \"0\",\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5,\r\n 5\r\n ],\r\n \"frameMargin\": 5,\r\n \"leftFrameMargin\": 4,\r\n \"rightFrameMargin\": 5,\r\n \"topFrameMargin\": 0,\r\n \"bottomFrameMargin\": 7,\r\n \"rowAttrs\": [\r\n {\r\n \"bgcolor\": \"#000000\",\r\n \"row100vh\": true,\r\n \"relid\": 32,\r\n \"bgimage\": {\r\n \"attid\": 732,\r\n \"url\": \"\/wp-content\/uploads\/2025\/08\/Bild_Projekt_Telepathie-1.png\",\r\n \"sizes\": {\r\n \"_1280\": {\r\n \"w\": 1280,\r\n \"h\": 720,\r\n \"url\": \"\/wp-content\/uploads\/2025\/08\/Bild_Projekt_Telepathie-1-1280x720.png\"\r\n },\r\n \"_1024\": {\r\n \"w\": 1024,\r\n \"h\": 576,\r\n \"url\": \"\/wp-content\/uploads\/2025\/08\/Bild_Projekt_Telepathie-1-1024x576.png\"\r\n },\r\n \"_768\": {\r\n \"w\": 768,\r\n \"h\": 432,\r\n \"url\": \"\/wp-content\/uploads\/2025\/08\/Bild_Projekt_Telepathie-1-768x432.png\"\r\n },\r\n \"_512\": {\r\n \"w\": 512,\r\n \"h\": 288,\r\n \"url\": \"\/wp-content\/uploads\/2025\/08\/Bild_Projekt_Telepathie-1-512x288.png\"\r\n },\r\n \"_265\": {\r\n \"w\": 265,\r\n \"h\": 149,\r\n \"url\": \"\/wp-content\/uploads\/2025\/08\/Bild_Projekt_Telepathie-1-265x149.png\"\r\n }\r\n }\r\n }\r\n },\r\n {\r\n \"relid\": 33\r\n },\r\n {\r\n \"relid\": 34\r\n },\r\n {\r\n \"relid\": 35\r\n },\r\n {\r\n \"relid\": 36\r\n },\r\n {\r\n \"relid\": 37\r\n },\r\n {\r\n \"relid\": 38\r\n },\r\n {\r\n \"relid\": 39\r\n },\r\n {\r\n \"relid\": 40\r\n },\r\n {\r\n \"relid\": 50\r\n },\r\n {\r\n \"relid\": 51\r\n },\r\n {\r\n \"relid\": 54\r\n },\r\n {\r\n \"relid\": 41\r\n },\r\n {\r\n \"relid\": 61\r\n },\r\n {\r\n \"relid\": 23\r\n },\r\n {\r\n \"relid\": 71\r\n },\r\n {\r\n \"relid\": 42\r\n }\r\n ],\r\n \"bgColor\": \"#b06d9f\",\r\n \"bgImage\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Telepathy<\/span><\/h1>\",\r\n \"align\": \"middle\",\r\n \"row\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"relid\": 45,\r\n \"frameOverflow\": \"both\",\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n },\r\n \"left\": 1.2,\r\n \"width\": 99.6,\r\n \"top\": 37.9,\r\n \"placeFreely\": true,\r\n \"zIndex\": 20\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"onethird\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 30,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 16,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"both\",\r\n \"zIndex\": 0\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 11,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": false,\r\n \"zIndex\": 1\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

TELEPATHY<\/strong><\/span>
Sensually reactivating memories.<\/strong><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 28,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 24,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"zIndex\": 2,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

\u201cI defend my present against the nothingness of absence.\u201d<\/span>
\u2014 Mahmoud Darwish<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 28,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 18,\r\n \"absolute_position\": false,\r\n \"zIndex\": 3,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n }\r\n ],\r\n \"relid\": 7,\r\n \"colspan\": 28,\r\n \"col\": 1,\r\n \"push\": 1,\r\n \"row\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"align\": \"top\",\r\n \"yvel\": 1,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"zIndex\": 2\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 29,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 29,\r\n \"relid\": 12,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": true,\r\n \"zIndex\": 3\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"onethird\",\r\n \"row\": 3,\r\n \"col\": 1,\r\n \"colspan\": 28,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 17,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"zIndex\": 4\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 22,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": false,\r\n \"zIndex\": 5\r\n },\r\n {\r\n \"type\": \"html5video\",\r\n \"cont\": null,\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 1,\r\n \"colspan\": 28,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 194,\r\n \"autoplay\": true,\r\n \"loop\": true,\r\n \"mute\": true,\r\n \"muteDisabled\": \"disabled\",\r\n \"controls\": false,\r\n \"playpauseonclick\": false,\r\n \"playicon\": false,\r\n \"ar\": 1.7777777777777777,\r\n \"unmutebutton\": false,\r\n \"unmuteButtonStyle\": 1,\r\n \"unmutebuttonDisabled\": \"\",\r\n \"h\": 1920,\r\n \"w\": 1080,\r\n \"mp4\": \"\/wp-content\/uploads\/2025\/08\/Telepathie-TEASER-Final_KS-1.mp4\",\r\n \"filename\": \"Telepathie-TEASER-Final_KS-1.mp4\",\r\n \"sizes\": null,\r\n \"imgar\": 0,\r\n \"mp4attid\": 730,\r\n \"imgh\": 1080,\r\n \"imgw\": 1080,\r\n \"imgattid\": 692,\r\n \"controlsDisabled\": \"\",\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"zIndex\": 23,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"twothirds\",\r\n \"row\": 5,\r\n \"col\": 1,\r\n \"colspan\": 29,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 13,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"zIndex\": 8\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 6,\r\n \"col\": 0,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": false,\r\n \"zIndex\": 9\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

After two intensive transmedial research processes in 2022 and 2023 on the de-aestheticization of non-European-coded dance practices, something new opened up for us: A space that liberated movement, sound, and theatricality from the logic of exoticization and commodification.<\/span>
A foundation for what we came to call Telepathy.<\/span><\/p>\\n

From the Ancient Greek \u03c4\u1fc6\u03bb\u03b5 (distance) and \u03c0\u03ac\u03b8\u03bf\u03c2 (experience\/affection), telepathy did not describe a supernatural ability, but a shared, collective sensitivity that allowed memories to circulate between bodies, times, and places.<\/span>
Telepathy is access to circulating knowledge, a silent, powerful current beyond aesthetic grids.<\/span>
Free from permissions.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 6,\r\n \"col\": 1,\r\n \"colspan\": 28,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 4,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"zIndex\": 10,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 6,\r\n \"col\": 29,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 29,\r\n \"relid\": 6,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": true,\r\n \"zIndex\": 11\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"onethird\",\r\n \"row\": 7,\r\n \"col\": 1,\r\n \"colspan\": 28,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 15,\r\n \"absolute_position\": false,\r\n \"frameOverflow\": \"\",\r\n \"zIndex\": 12\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 8,\r\n \"col\": 0,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": false,\r\n \"zIndex\": 13,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

A channel of remembrance that connects where movement is halted, bodies are overlooked, stories are erased.<\/span>
It lets us travel where paths are blocked, opens spaces whose archives have long been deleted.<\/span>
Telepathy lets you see what you are not supposed to see.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 8,\r\n \"col\": 1,\r\n \"colspan\": 28,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 8,\r\n \"absolute_position\": false,\r\n \"zIndex\": 14,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 8,\r\n \"col\": 29,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 29,\r\n \"relid\": 10,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": true,\r\n \"zIndex\": 15,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 9,\r\n \"col\": 1,\r\n \"colspan\": 28,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 52,\r\n \"absolute_position\": false,\r\n \"zIndex\": 12,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 10,\r\n \"col\": 0,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 53,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": false,\r\n \"zIndex\": 13,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

The research project \u2013 conducted from March 2024 to February 2025 \u2013 explored movement, media art, sound design, and choreobiography through experimental methods. It activated expressions of revelation and manifestation and confronted, through transmedial narratives, the politics of perception in the\u00a0 German (theatre) space.<\/span>
Inspired by Sufi Tanoura and Dabke \u2013 living archives of connectedness, resistance, and collective memory \u2013 we dedicated ourselves to the invisible frequencies that connect diasporic bodies:<\/span>
across languages, beyond closed-off spaces.<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 10,\r\n \"col\": 1,\r\n \"colspan\": 28,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 56,\r\n \"absolute_position\": false,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 10,\r\n \"col\": 29,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 29,\r\n \"relid\": 55,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": true,\r\n \"zIndex\": 15,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 11,\r\n \"col\": 1,\r\n \"colspan\": 28,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 57,\r\n \"absolute_position\": false,\r\n \"zIndex\": 16,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 12,\r\n \"col\": 0,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 58,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": false,\r\n \"zIndex\": 13,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

In a year in which much has shifted \u2013 visibility, resources, voices \u2013 we are more<\/span>
deeply connected. And we saw who spun, stomped, and endured with us when the ground vibrated, didn\u2019t give way, but carried us.<\/span><\/p>\\n


\u201cBe like a tree and let the dead leaves drop.\u201d<\/strong><\/span>
\u2014 Rumi<\/strong><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 12,\r\n \"col\": 1,\r\n \"colspan\": 28,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 59,\r\n \"absolute_position\": false,\r\n \"zIndex\": 14,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 12,\r\n \"col\": 29,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 29,\r\n \"relid\": 60,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": true,\r\n \"zIndex\": 15,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"middle\",\r\n \"row\": 13,\r\n \"col\": 1,\r\n \"colspan\": 28,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 62,\r\n \"absolute_position\": false,\r\n \"zIndex\": 16,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n },\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 14,\r\n \"col\": 0,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 70,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": false,\r\n \"zIndex\": 13,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Credits:<\/strong><\/span><\/p>\\n

Pauli Nafer<\/strong><\/span>
Dancer & Choreographer<\/span>

Mohamad Tamim<\/span><\/strong>
Dancer & Choreographer<\/span>

Rojin Sharafi<\/span><\/strong>
Sound Design<\/span>

Romy Schmidt<\/span><\/strong>
Artistic Director<\/span>

Duncan Tafel<\/span><\/strong>
Media Art Research & Video Production<\/span>

Suliman Almogharbel<\/span><\/strong>
Footage Production \u2013 Film \u201cAl Darwish\u201d<\/span><\/p>\\n

Alexander Huegel (2022\u201324)<\/span><\/strong>
Orbital Noise & Universal Rotation <\/span>Media Art <\/span><\/p>\\n

Gabs_ Carneiro<\/span><\/strong>
Outside Eye & Dramaturgy<\/span><\/p>\\n

Adnan Abdalrahman<\/strong>
Photography \/ Website<\/span>

Thanks to \/ Gracias \/<\/strong> \u0634\u0643\u0631\u0627\u064b<\/strong><\/span>
Basak \u00dcnal<\/span>
Bashar Shammout<\/span>
Ahmad Shihabi<\/span>
Christine Peters<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 14,\r\n \"col\": 1,\r\n \"colspan\": 28,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 68,\r\n \"absolute_position\": false,\r\n \"zIndex\": 14,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 14,\r\n \"col\": 29,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 29,\r\n \"relid\": 69,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": true,\r\n \"zIndex\": 15,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n }\r\n },\r\n {\r\n \"type\": \"hr\",\r\n \"cont\": \"\",\r\n \"align\": \"middle\",\r\n \"row\": 15,\r\n \"col\": 1,\r\n \"colspan\": 28,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 72,\r\n \"absolute_position\": false,\r\n \"zIndex\": 16,\r\n \"textAnimation\": {\r\n \"enableTextAnimation\": false\r\n },\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"vl\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 16,\r\n \"col\": 0,\r\n \"colspan\": 0,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 19,\r\n \"absolute_position\": true,\r\n \"placeAtEndOfCol\": false,\r\n \"zIndex\": 17\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

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